With a hammering tone of angst and wrath in a 4-track split, two of the most promising emerging projects in the antifascist scenes around the world join forces in a conceptual work bringing us Stigmergy, a blend of styles and topics from the two sides involved highlighting a convergence into a socio-political dive to a […]
Author: abmn
Review: Atlantic – Black Sands (Full album, 2024) | Atmospheric/post-black metal
As the waves that cyclically recede into the sea and come crashing unto the shore, Atlantic has returned to our channel almost two years since its first outing, bringing in more amazing musicianship, more torrential blast beats, more riffing crescendos growing evermore towards the horizon, and an even wider soundscape than before! Black Sands, their […]
Review: Shrinewitch – Songs Of Power & Despair (Full album, 2024) | Raw black metal
Shrinewitch is not new to ABMN as we already featured their previous release, Heathen Idolatrous, and if there is something we like that is bands returning, so obviously we welcomed the opportunity to feature their new release Songs of Power & Despair. This is a release of raw yet melodic black metal continuing from where […]
Review: Ammonoid – “Pierce The Veil” (Official animated video, 2024) | Doom, prog.
One of our main functions at AFS and ABMN is to help foster, nurture and reveal new bands under our specific musical purviews that take a stand in the battle against oppression and exploitation. And it is a great pleasure when one of these is of such high quality as today’s feature, the US project […]
Review: Sudra by Iravu & Mumuksu (Full split album, 2024) | Black metal, doom metal
It is no mistake that here in ABMN we hold Malaysia’s Iravu in very high esteem, both as an artist and as a comrade, so of course we were excited to premiere their new release, and that excitement was doubled when those of us also into the doom side of things heard that this was […]
Review: Code Red – “Death March” (Single, 2024) | Thrash metal
Code Red is a project of a young artist playing thrash/blackened thrash. You can definitely feel the grave of the 1980s here when it comes to either thrash or black metal elements. The band can be classified as politically engaged, the artist has anti-imperialist, anti-authoritarian and anti-fascist views, which are reflected in the lyrics. And […]
Review: Veriarmo – Kuiske (Full album, 2024) | Symphonic metal
Living in 2024 we seem to be blurring rigid lines between various sub-genres of metal. Sure one could argue that it’s always been there and an ever-ongoing thing but people in the past have been careful in how they blur the lines and in today’s atmosphere it’s easier for a smaller band/ artist to gain […]
Review: Traktat – “Subdue the Filthy Pride of History” (Video clip, 2024) | Black metal
The full album of the Bremen-based project Traktat will come out in October, and it’s definitely something worth noting. The band has released a stunning rehearsal demo, and now we present the video from their new single “Subdue The Filthy Pride of History.” Musically, it’s great black metal with mostly blasting but sometimes more laid-back […]
Review: Reva – Urban Madrigals (Full album Premiere, 2024) | DSBM, post-black
Releasing tomorrow, we’re excited to premiere Reva‘s second album, Urban Madrigals. Somewhat reminiscent of Bonjour Tristesse‘s Your Ultimate Urban Nightmare with its cover, Reva explores the “impact of modern society and its relentless pace on our lives“, delving into the duality of the social isolation we all feel and constant connectivity via the Internet. Combining […]
Review: Ba’al – Soft Eyes (Full EP, 2024) | Post-black metal
Ba’al did it again. After their album Ellipsism in 2020, they are back with an EP called Soft Eyes, with a total of 3 songs for 27 minutes and 3 seconds of complex yet stunning post-black metal. The diversity of tonalities, and the variety in the composition, from very intense phases in “Ornamental Doll” to only […]